Bolt from the Blue

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Bolt from the Blue

Jeremy Cooper

In Bolt from the Blue, Jeremy Cooper, the winner of the 2018 Fitzcarraldo Editions Novel Prize, charts the relationship between a mother and daughter over the course of thirty-odd years. In October 1985, Lynn moves down to London to enrol at Saint Martin’s School of Art, leaving her mother behind in a suburb of Birmingham. Their relationship is complicated, and their primary form of contact is through the letters, postcards and emails they send each other periodically, while Lynn slowly makes her mark on the London art scene. A novel in epistolary form, Bolt from the Blue captures the waxing and waning of the mother-daughter relationship over time, achieving a rare depth of feeling with a deceptively simple literary form.

‘A novel written in epistolary form, Cooper has maximised the potential of this literary convention to achieve a work of great depth and quiet power. Over three decades, a mother and her artist daughter communicate only by letters, excavating their relationship as it evolves with melancholic, astute precision. At times spellbinding and mesmerising, the work also proves provocative and inspirational. As much a love letter to the lost art of letter-writing as it is a thirty year-long dialogue of familial love, Cooper has produced an understated book that nonetheless resonates powerfully. This book is deeply sensitive to the ebb and flow of relationships over time and the way love is disguised, expressed and experienced, and it achieves that elusive dream of all authors and finds new meaning in the recording of life.’
 Helen Cullen, Irish Times

Bolt from the Blue is a venturesome, epistolary fiction spanning over 30 years.’
 Catherine Taylor, Financial Times

‘A novel in epistolary form, the writer and art historian’s latest work is both an intimate account of a mother-daughter relationship and a lively history of London’s art scene. It is October 1985 when Lynn moves to the capital to study at Saint Martin’s, later making a successful career as an artist. She and her mother, who is back at home in Birmingham, begin a 30-year-long written relationship – via letters, postcards and emails. Their contact is irregular, and by turns affectionate and combative, making the relationship feel engrossing, deep and utterly true.’

Jeremy Cooper is a writer and art historian, author of six previous novels and several works of non-fiction, including the standard work on nineteenth century furniture, studies of young British artists in the 1990s, and, in 2019, the British Museum’s catalogue of artists’ postcards. Early on he appeared in the first twenty-four of BBC’s Antiques Roadshow and, in 2018, won the first Fitzcarraldo Editions Novel Prize for Ash before Oak.

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Fitzcarraldo Editions is an independent British book publisher based in Deptford, London, specialising in literary fiction and long-form essays in both translation and English-language originals. It focuses on ambitious, imaginative, and innovative writing by little-known and neglected authors. Fitzcarraldo Editions currently publishes twenty-two titles a year. Four of Fitzcarraldo's authors have gone on to win the Nobel Prize in Literature: Svetlana Alexievich (2015), Olga Tokarczuk (2018), Annie Ernaux (2022) and Jon Fosse (2023).