Suppose a Sentence

Suppose a Sentence

Brian Dillon

In Suppose a Sentence, Brian Dillon turns his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence – from Shakespeare to Gertrude Stein, John Ruskin to Joan Didion – the book explores style, voice, and language, along with the subjectivity of reading. Both an exercise in practical criticism and a set of experiments or challenges, Suppose a Sentence is a polemical and personal reflection on the art of the sentence in literature. Whether the sentence in question is a rigorous expression of a state of vulnerability, extremity, even madness, or a carefully calibrated arrangement, Dillon examines not only how it works and why but also, in the course of the book, what the sentence once was, what it is today, and what it might become tomorrow.

 ‘Dillon, with his Suppose a Sentence, a collection of reflections on the nature of the sentence, made me wonder why any of the rest of us bother trying to write non-fiction.’ 
— Ian Sansom, TLS

‘The book has a lot of what I can only call pleasure – of the kind that I imagine athletes or dancers experience when they are doing what they do, which is then communicated to those watching them do it. I share with Dillon some misgivings about general theories and overarching ideas, but in thinking about the writing I enjoy most, this quality feels like the one constant: that the author takes some pleasure in using these muscles and finding them capable of what they are asked. That delight is evident both in the sentences Dillon looks at and in those he writes himself.’
— Hasan Altaf, Paris Review

‘Reducing great writers and works to a single sentence is a provocative act, but one that in an age of 280-character opinions does not feel inappropriate. Used as we are to monosyllabic messaging and governance by tweet, it is an important reminder of the potential beauty, rather than mere convenience, that can be conjured in concision.… Suppose a Sentence is an absorbing defence of literary originality and interpretation, inviting us not just to take words as they first appear but to let them abstract themselves before our very eyes.’
— Chris Allnut, Financial Times

Brian Dillon was born in Dublin in 1969. His books include Suppose a Sentence, Essayism, The Great Explosion (shortlisted for the Ondaatje Prize), Objects in This Mirror: Essays, I Am Sitting in a Room, Sanctuary, Tormented Hope: Nine Hypochondriac Lives (shortlisted for the Wellcome Book Prize) and In the Dark Room, which won the Irish Book Award for non-fiction. His writing has appeared in the Guardian, New York Times, London Review of Books, the New Yorker, New York Review of Books, frieze and Artforum. He has curated exhibitions for Tate and Hayward galleries. He lives in London.

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Fitzcarraldo Editions is an independent British book publisher based in Deptford, London, specialising in literary fiction and long-form essays in both translation and English-language originals. It focuses on ambitious, imaginative, and innovative writing by little-known and neglected authors. Fitzcarraldo Editions currently publishes twenty-two titles a year. Four of Fitzcarraldo's authors have gone on to win the Nobel Prize in Literature: Svetlana Alexievich (2015), Olga Tokarczuk (2018), Annie Ernaux (2022) and Jon Fosse (2023).