Ceramics Art and Perception #125

Ceramics Art and Perception #125

• The Prime of Ms Ebony Russell by Nikki Gemmell
• The Devil’s Interval: Tom Bartel and his Sculpture by Pema Chodar
• Marie Herwald Hermann at Broadway Gallery, New York by Janet Koplos
• Robert Brady: in Retrospect by Elaine Olafson Henry
• The 2024 Portage Ceramics Awards by Josie Lander
• Build Me Up, Tear Me Down, Why Don’t You Love Me Babe Like There’s No One Around? MoNA Ceramic Invitational 2025 Museum of Northwest Art, La Conner, Washington USA January 25 – May 11, 2025 by Matthew Kangas
• Exploring collective memory through clay dwellings: Somewhere in between and not represented by Mellaney Roberts
• John Gill at Yossi Milo Gallery, New York by Janet Koplos
• The Space Between by Cheyenne Mapplebeck
• From Posen to Poznan: The Rise and Fall and Rise of Ceramics in Poland by Matthew Kangas
• The Artistic Representation of the Oppression in Palestine Through Ceramic Works by Dr. Ali Uslu
• Swansong: Hiroe Swen’s farewell to ceramics by Henrietta Farrelly-Barnett
• O’ Powa O’ Meng: The Art and Legacy of Jody Folwell The Fralin Museum of Art at the University of Virginia by Adriana Greci Green, Jill Ahlberg Yohe and Bruce Bernstein
• A Native American Influencer by Craig Hinshaw

Cover image: Ebony Russell, Skirting Layers Vase, 2025, porcelain and glaze, 25 x 20 x 13 cm.