Fassbinder Thousands of Mirrors

Melodrama, biography, cold war thriller, drug memoir, essay in fragments, mystery – Fassbinder Thousands of Mirrors is cult critic Ian Penman’s long awaited first original book, a kaleidoscopic study of the late West German filmmaker Rainer Werner Fassbinder (1945–1982). Written quickly under a self-imposed deadline in the spirit of Fassbinder himself, who would often get films made in a matter of weeks or months, Fassbinder Thousands of Mirrors presents the filmmaker as a pivotal figure in the late 1970s moment between late modernism and the advent of postmodernism and the digital revolution. Compelling, beautifully written and genuinely moving, echoing the fragmentary and reflective works of writers like Barthes and Cioran, this is a story that has everything: sex, drugs, art, the city, cinema and revolution.

‘This is the only book I have read twice this year. Truly it is thousands of mirrors in terms of the thoughts, images and references running through this reflective and wonderfully interior work. The world of European cinema, especially Fassbinder’s film seen through Ian Penman’s eyes, has transported me to a tantalizing place called post-war Europe. The book brings me back to my youth and my film school years in the east and west, and it reminds me of how powerful images have shaped our very understanding of love and life.’
— Xialuo Guo, chair of the 2024 RSL Ondaatje Prize for Literature

‘Stendahl once described the novel as “a mirror being carried up the street”, but Ian Penman’s extraordinary critical memoir is more like a whole convoy of the things. The book captures not only scenes both gross and beautiful from the 1970s life of the workaholic Fassbinder, but a glittering array of thoughts and moments from his own long fascination with Fassbinder’s place and time and historical moment – which was also the time of Penman’s youth, not as a German film director but as a London music journalist, hungry for Europe and all that it then represented to England, assembling a wider world for his imagination from clues and scraps and cherished frames of German movies.’ 
— Francis Spufford, 2024 RSL Ondaatje Prize for Literature judge 

‘I’m so keen for more readers to discover this incredible little book. Every sentence is explosive. Every page left me reaching for my notebook to jot down things which required further thought. There are so many ideas, perspectives and tiny nuggets of deep insight contained within this book, I’d struggle to put a label on it. It’s biography. It’s philosophy. It’s critique. It’s flighty enough to read like fiction and yet it’s one of the most grounded books I’ve read in years. Yes, it’s about German cinema, but German cinema’s simply the mirror Penman’s holding up to force his readers to look long and hard at themselves.’ 
— Jan Carson, 2024 RSL Ondaatje Prize for Literature judge 

Ian Penman is a British writer, music journalist, and critic. He began his career at the NME in 1977, later contributing to various publications including The Face, Arena, Tatler, Uncut, Sight & Sound, The Wire, the Guardian, the London Review of Books and City Journal. He is the author of the collections Vital Signs: Music, Movies, and Other Manias (Serpent’s Tail, 1998) and It Gets Me Home, This Curving Track (Fitzcarraldo Editions, 2019). His first original book, Fassbinder Thousands of Mirrors (Fitzcarraldo Editions, 2023), won the RSL Ondaatje Prize for Literature and the James Tait Black Memorial Prize for Biography in 2024.