{"product_id":"flash-art-volumes-3-opacity","title":"Flash Art Volumes #3 - Opacity","description":"\u003cp\u003e\u003cstrong\u003eFlash Art Volumes #3 - Opacity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"CorpoA\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFlash Art\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ehas a lot to say about form. So much so that our regular discourse on contemporary art has overflowed, expanded, and oozed to the towering heights and endless planes of architecture. \u003c\/span\u003e\u003cem\u003eFlash Art Volumes\u003c\/em\u003e\u003cspan\u003e is the home for these discussions on urban-planning conundrums, building-material ethics, mysterious edifices that dot the world, and what built structures could mean for aesthetics at large.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor its third edition,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFlash Art Volumes 003\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“Opacity,” to be released on the occasion of Milan Design Week 2026, the subject at hand is transparency and the necessity, or superfluity, of this quality. The issue’s covers feature\u003cspan\u003e Roni Horn\u003c\/span\u003e, shot by Jeff Henrikson in the artist’s New York studio;\u003cspan\u003e \u003c\/span\u003eRose Wylie, photographed by Zora Sicher, following her show at the Royal Academy, London; and a photo essay by Jack Bool accompanied by\u003cspan\u003e \u003c\/span\u003eguest editor Luis Ortega Govela’s essay “Fuck Transparency.” \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eInside,\u003cspan\u003e \u003c\/span\u003eWolfgang Tillmans\u003cspan\u003e \u003c\/span\u003epontificates on glass, transparency, and media transmission through his words and photography. Writer Sarah Johanna Theurer discusses the work of\u003cspan\u003e \u003c\/span\u003eSung Tieu\u003cspan\u003e \u003c\/span\u003ein the lead-up to her work in the German Pavilion at this year’s Venice Biennale.\u003cspan\u003e \u003c\/span\u003ePatrick McGraw\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eof Heavy Traffic and\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLiam Denhamer\u003cspan\u003e \u003c\/span\u003eof Juvenilia create a speculative work where fiction meets abandoned structure. \u003c\/p\u003e","brand":"MMS","offers":[{"title":"1","offer_id":58212473667968,"sku":null,"price":26.95,"currency_code":"GBP","in_stock":true},{"title":"2","offer_id":58212473700736,"sku":null,"price":26.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2009\/7115\/files\/FLASHART_1.png?v=1780662845","url":"https:\/\/unitom.co.uk\/products\/flash-art-volumes-3-opacity","provider":"UNITOM","version":"1.0","type":"link"}